The Focus XDâs firmware can even be upgraded when our engineers have another Eureka! At this juncture I put together a system that seemed appropriate to the Evokes in terms of price at least, using the Cyrus DAC 82 as a streamer and amplifier connected by sensibly priced cabling in the form of Naim NAC A5. Technology The all-new 18W55 loudspeaker driver. Weâve also included tech from our LYD pro-studio monitors that lets you tweak overall brightness with a switch on the back. Tweeter: 28mm Cerotar with Hexis dome The idea of actually owning and using this gear, especially something as impressive as their new McIntosh Labs MC 1502 amplifier, took me back to my youth.In the days before the internet, people used to actually get together to pass ⦠Dynaudio has spent decades repeatedly redefining the compact loudspeaker â and with the 300W Focus 20 XD, itâs happened again. The post formed corners of what are good solid cabinets really helps here. Bass driver: 180mm MSP cone Star's Music est la référence des ingénieurs du son, producteurs, musiciens et DJ. The main Esotec+ driver is made of magnesium silicate polymer which is moulded in one piece with the dust cap in place, which increases rigidity and gives a stronger connection for the voice coil. Running the show is cutting-edge digital processing technology capable of handling full-fat, 24-bit/192kHz hi-res files. The crossover point doesn’t get much of a mention in the info but signal is transferred from woofer to tweeter at a 3.2kHz, the system as a whole offers 86dB sensitivity for a six Ohm load, which is less efficient than usual for a reflex design of this size. The Dynaudio Evoke 20 is a highly capable and revealing loudspeaker that let’s you know exactly what’s going on in the music but does so in a warm, relaxed fashion, this doesn’t stop music that’s frantic or intense sounding the way it was intended but it means that less refined recordings don’t sound harsh or edgy. This is the case with Dynaudio’s Evoke range, it’s not the least expensive in Dynaudio’s extensive catalogue but it is a lot more affordable that the Confidence and Special Forty models which inform its engineering. With the Cyrus you get strong physical presence, a real sense of musical tension and solid rather than expansive lows thanks to a lot of detail. This amp speaker pairing produced audiophile spaciousness with Naim timing and an ease that’s very appealing, it’s what we in the trade call a ‘cracking combo’. Thereâs digital coaxial in and out, plus analogue input (with adjustable sensitivity), as well as a seven-position control for fine-tuning the speakersâ placement in your room. Your web browser does not support iframes, which means that the video What's an active crossover? The MSP driver and 28mm tweeter from the rest of the Focus XD range appear here, too â along with all the authority and control of the larger speakers. Crossover: 2-way Network partner - has reviewed the fully active, fully digital Focus 20 XD standmounters. In fact the low end grunt they produce is positively surprising, small speakers have a psychological advantage in this respect, you don’t expect decent bass extension so when it appears it doubles the fun, and that’s certainly the case here. With a burly ATC P2 power amp in control things get a bit more revealing, the speakers take no prisoners with Burt Jansch’s second album It Don’t Bother Me, which is not the sweetest of recordings, yet the forgiving presentation of the Evoke 20s lets you know this without emphasizing the hardness of the sound from the CD version. It’s one of those designs that reminds you just how good standmounts can be, I doubt there’s a floorstander that’s as even handed, revealing and downright entertaining at the price. The acoustic guitar picking of Gwenifer Raymond is good and pacey with well defined notes thanks to clear separation. Just play Radiohead’s ‘Desert Island Disk’ through it and you’ll get the picture. I listen to 60s/70s classic rock, blues, jazz, folk, acoustic etc. Simplifi - a SoundStage!
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